Andy Budd explains why every startup should hire at least one senior designer as soon as possible – The Next Web

Andy Budd explains why every startup should hire at least one senior designer as soon as possible

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Any emerging startup with a bold, innovative product can be held back by a lack of attention or focus on design.

Andy Budd is a UX designer and CEO of Clearleft, a digital design agency based in Brighton, England. He took to the stage at The Next Web Conference today to deliver a keynote on the importance of design and how technology companies should position these creative minds at the center of the product.

So why isn’t every startup doing this already? The problem centers on money and the pressure to build a product with as few people as possible.

“The difficulty is that you can create a startup with just a technical team and no designer,” Budd said. “But it’s very difficult to start the other way around, unless you’re creating physical design products.”

He suggests that startups hire “a few really good designers” at an early stage to set the initial vision and groundwork, as this will attract better talent down the line.

“Designers want to work on products and in companies where they think there’s a big design culture,” he added. “So if you don’t have any of the designers in your organisation, or you don’t have a really senior designer, that spells a warning sign.”

Startups can also struggle to hire high-quality designers because their company website looks sub-par or is misrepresentative of the company ethos and vision.

“You would think that was a really attractive proposition because they (designers) get to change a lot of stuff, but it also often backfires,” he said. “If the website looks terrible, that’s usually an indication that the company doesn’t care about design. And if the company doesn’t care about design, why would you join it?”

TNW caught up with Andy Budd after his speech to discuss the importance of design, the lack of user experience designers in the UK and much, much more.

Keep up with all our #TNW2013 coverage

Image Credit: Julia Deboer/Flickr

I’m dedicated to amplify strengths instead of repairing weaknesses.

I’m dedicated to amplify strengths instead of repairing weaknesses. I do it with perseverance/grit, self control, willingness, social intelligence, immense gratitude and optimism.

With my partners I have developed a space that recognizes the importance of differences and team working, conceived to define challenges, choice creation, idea life ability and making happen possibilities.

I do and act with in this principles for companies and organizations, some times for products and brands, but Always always, I do it among friends.

_______________________________

Me dedico a amplificar las fortalezas en lugar de señalar las debilidades. Lo hago con perseverancia, auto control, mucho entusiasmo, con inteligencia social, inmensa gratitud y optimismo.

Junto con mis socios he creado un espacio de trabajo que reconoce las diferencias y la importancia del equipo; éste lugar está concebido para definir retos, crear opciones y dar vida a ideas y hacer crecer las posibilidades.

Lo que hago a veces es para empresas y organizaciones, otras son servicios, productos y marcas, pero siempre siempre es con amigos.

http://www.linkedin.com/in/federicohernandez

7 Of The Biggest Lies In Graphic Design. Via fastcodesign.com

7 Of The Biggest Lies In Graphic Design

IN CRAIG WARD’S “POPULAR LIES ABOUT GRAPHIC DESIGN,” SOME OF THE MOST FAMOUS PRACTITIONERS AROUND DEBUNK THE GREATEST MISCONCEPTIONS PLAGUING THE PROFESSION.

Even if you don’t know much about graphic design, you can probably throw out a few cocktail-party-worthy truisms: “Comic Sans is just the worst typeface ever.” That statement is irrefutable, right? As unassailable as grass being green, Shakespeare was a genius, and Tina Fey is way funnier than Seth MacFarlane. If you want to come off as a typography dilettante, you might make some seemingly inoffensive remark like, “Well, you can’t go wrong with Helvetica.” And if Craig Ward overheard you, he’d most likely shudder and take a subtle step toward the door. It’s hackneyed statements like these that he tries to dismantle in his pocket-size Popular Lies About Graphic Design.

According to Ward, a New York–based British designer, Comic Sans “is the typographic equivalent of an innocent man on death row.” Sure, it’s ugly, he admits, but there are plenty of other bad handwriting fonts that don’t stir up nearly as much unfair bile and vitriol. And as far as Helvetica goes, it’s hardly the typographic corollary of the perfect black dress, suitable for any occasion. It may be “as ubiquitous a typeface as has ever existed,” but don’t mistake ubiquity for neutrality; Helvetica, in fact, is an “authoritative typeface with a distinct tone of voice.” If you’re looking for vanilla, you’d be well advised to look around for another font.

Don’t feel bad if you’ve adopted some arguments Ward might find specious; even professional designers lean on well-worn rules and generalities to help create guidelines, and others will argue against them. You, like Mies van der Rohe and Dieter Rams, may subscribe to the philosophy of “less is more.” In Popular Lies, Milton Glaser says that maxim is patently false. Ward says that the book is meant to encourage designers to experiment, “examining other possibilities when it may be easier to side with something tried and tested.”

Here are a some of the choice gems, from Ward and some of his famous-designer friends in response to the question: What’s the biggest lie you’ve ever been told about design?

 

1. LONGER DEADLINES WILL LEAD TO BETTER WORK.

Craig Ward

 

My experience may be unique. But for my money, you rarely need more than a few weeks for most still image projects. Obviously, if you’re attempting something more ambitious, or time related, then you may need longer, but, really, three or four rounds of amends over the course of a couple of weeks is usually ample. Much more and you can end up wasting your time chasing unworkable ideas or losing focus, much less and you may feel under too much pressure to deliver and that, in itself can be equally stifling.

2. THERE’S NO BUDGET, BUT IT’S A GREAT OPPORTUNITY.

–Craig Ward

And that would be an opportunity for what exactly?

If you go your entire career without receiving this kind of a proposition, you’re doing either extremely well or extremely badly depending on your mindset. The idea that it’s okay for you to spend days of your time creating work for world-renowned clients who aren’t paying you a decent wage is pretty shameful–yet often unavoidable. Unless you set your stall out very early on and stick to your guns.

 

3. YOU CAN’T JUDGE A BOOK BY ITS COVER.

David Carson

 

If the designer has done their job, you should absolutely be able to do this.

 

4. THE COMPUTER IS JUST A TOOL.

Stefan Sagmeister

 

It is not. You are the tool.

 

5. STAY SMALL.

–Willy Wong

 

“Stay small” was a piece of advice I heard quite often when I began my career. Smaller studios and a small circle of clients–I was told–meant more control and thus (work of a) higher quality. In fact, go solo if you could.

Nowadays, I find that nothing happens in a silo and that everything is connected. If you’ve got sharp kerning skills, good intentions, and the ingenuity to spin gold out of thin air, why not add solid management skills to your belt and be able to kill it at scale? The world seems to need designers more than ever. What’s wrong with being part of a group, playing in a team, forming a league, building a community. Not everyone has the capacity to manage process, budgets, expectations, or personalities, but if you got ‘em, why not go for it? Balls out!

 

6. “WE DON’T HAVE ANY MONEY.”

Craig Redman

 

It’s that whole tiresome act of the client pleading poor and screwing you down to the dollar. Then you find out later they paid a million bucks for some other component of the project.

 

7. PEOPLE WILL WANT TO BUY YOUR PIN, BADGES, AND T-SHIRT.

–Craig Ward

 

They probably won’t. Sorry.

Remember that even these so-called lies should be taken with a grain of salt; design is subjective, and you’re entitled to your own bloody opinions. As Ward writes in his introduction, “This is not a book full of facts. Nor is it a book full of advice. It’s a book full of opinions, and confusion between those three is how a lot of these problems begin.” In other words, don’t feel you need to take other people’s espoused opinions as facts.

Buy the book here for $11.

BELINDA LANKS

Belinda Lanks is the deputy editor of Co.Design. Before joining FastCompany.com, she was the managing editor of Metropolis. Her writing has appeared in The … 

7 Of The Biggest Lies In Graphic Design. Via FastCo.

7 Of The Biggest Lies In Graphic Design IN CRAIG WARD’S “POPULAR LIES ABOUT GRAPHIC DESIGN,” SOME OF THE MOST FAMOUS PRACTITIONERS AROUND DEBUNK THE GREATEST MISCONCEPTIONS PLAGUING THE PROFESSION. 8 Comments inShare Even if you don’t know much about graphic design, you can probably throw out a few cocktail-party-worthy truisms: “Comic Sans is just the worst typeface ever.” That statement is irrefutable, right? As unassailable as grass being green, Shakespeare was a genius, and Tina Fey is way funnier than Seth MacFarlane. If you want to come off as a typography dilettante, you might make some seemingly inoffensive remark like, “Well, you can’t go wrong with Helvetica.” And if Craig Ward overheard you, he’d most likely shudder and take a subtle step toward the door. It’s hackneyed statements like these that he tries to dismantle in his pocket-size Popular Lies About Graphic Design. According to Ward, a New York–based British designer, Comic Sans “is the typographic equivalent of an innocent man on death row.” Sure, it’s ugly, he admits, but there are plenty of other bad handwriting fonts that don’t stir up nearly as much unfair bile and vitriol. And as far as Helvetica goes, it’s hardly the typographic corollary of the perfect black dress, suitable for any occasion. It may be “as ubiquitous a typeface as has ever existed,” but don’t mistake ubiquity for neutrality; Helvetica, in fact, is an “authoritative typeface with a distinct tone of voice.” If you’re looking for vanilla, you’d be well advised to look around for another font. Don’t feel bad if you’ve adopted some arguments Ward might find specious; even professional designers lean on well-worn rules and generalities to help create guidelines, and others will argue against them. You, like Mies van der Rohe and Dieter Rams, may subscribe to the philosophy of “less is more.” In Popular Lies, Milton Glaser says that maxim is patently false. Ward says that the book is meant to encourage designers to experiment, “examining other possibilities when it may be easier to side with something tried and tested.” Here are a some of the choice gems, from Ward and some of his famous-designer friends in response to the question: What’s the biggest lie you’ve ever been told about design? 1. LONGER DEADLINES WILL LEAD TO BETTER WORK. –Craig Ward My experience may be unique. But for my money, you rarely need more than a few weeks for most still image projects. Obviously, if you’re attempting something more ambitious, or time related, then you may need longer, but, really, three or four rounds of amends over the course of a couple of weeks is usually ample. Much more and you can end up wasting your time chasing unworkable ideas or losing focus, much less and you may feel under too much pressure to deliver and that, in itself can be equally stifling. 2. THERE’S NO BUDGET, BUT IT’S A GREAT OPPORTUNITY. –Craig Ward And that would be an opportunity for what exactly? If you go your entire career without receiving this kind of a proposition, you’re doing either extremely well or extremely badly depending on your mindset. The idea that it’s okay for you to spend days of your time creating work for world-renowned clients who aren’t paying you a decent wage is pretty shameful–yet often unavoidable. Unless you set your stall out very early on and stick to your guns. 3. YOU CAN’T JUDGE A BOOK BY ITS COVER. –David Carson If the designer has done their job, you should absolutely be able to do this. 4. THE COMPUTER IS JUST A TOOL. –Stefan Sagmeister It is not. You are the tool. 5. STAY SMALL. –Willy Wong “Stay small” was a piece of advice I heard quite often when I began my career. Smaller studios and a small circle of clients–I was told–meant more control and thus (work of a) higher quality. In fact, go solo if you could. Nowadays, I find that nothing happens in a silo and that everything is connected. If you’ve got sharp kerning skills, good intentions, and the ingenuity to spin gold out of thin air, why not add solid management skills to your belt and be able to kill it at scale? The world seems to need designers more than ever. What’s wrong with being part of a group, playing in a team, forming a league, building a community. Not everyone has the capacity to manage process, budgets, expectations, or personalities, but if you got ‘em, why not go for it? Balls out! 6. “WE DON’T HAVE ANY MONEY.” –Craig Redman It’s that whole tiresome act of the client pleading poor and screwing you down to the dollar. Then you find out later they paid a million bucks for some other component of the project. 7. PEOPLE WILL WANT TO BUY YOUR PIN, BADGES, AND T-SHIRT. –Craig Ward They probably won’t. Sorry. Remember that even these so-called lies should be taken with a grain of salt; design is subjective, and you’re entitled to your own bloody opinions. As Ward writes in his introduction, “This is not a book full of facts. Nor is it a book full of advice. It’s a book full of opinions, and confusion between those three is how a lot of these problems begin.” In other words, don’t feel you need to take other people’s espoused opinions as facts. Buy the book here for $11. BELINDA LANKS Belinda Lanks is the deputy editor of Co.Design. Before joining FastCompany.com, she was the managing editor of Metropolis. Her writing has appeared in The … CONTINUED

The Lean LaunchPad Goes to High School by steveblank

Failure and Redemption by steveblank

OPPENHEIMER: México está de moda, salvo en México. Vía: ELNUEVOHERALD.com

Publicado el sábado, 03.02.13 EL INFORME OPPENHEIMER OPPENHEIMER: México está de moda, salvo en México “OPPENHEIMER PRESENTA” No se pierdan el programa “Oppenheimer Presenta”, todos los domingos a las 9 p.m. en CNN en Español. ANDRÉS OPPENHEIMER AOPPENHEIMER@ELNUEVOHERALD.COM CIUDAD DE MEXICO – Durante una visita a México la semana pasada, me sorprendió la sonrisa escéptica con que muchos mexicanos reaccionan ante los artículos que están saliendo en la prensa internacional vaticinando que México será la próxima estrella de la economía global, y que ya ha llegado “el momento de México”. Durante las últimas semanas han salido una serie de artículos en algunos de los principales medios internacionales anunciando que México eclipsará a Brasil, y tal vez a India y China, como la nueva potencia del mundo emergente. La semana pasada, la prestigiosa revista Foreign Affairs publicó un articulo de portada bajo el título de “México Triunfa”. Poco antes, el 26 de enero, el New York Times había publicado un artículo de opinión titulado: “México: la nueva China”. El Financial Times de Gran Bretaña, publicó un extenso artículo en enero titulado: “México: el Tigre Azteca”. A fines del año pasado, la revista británica The Economist había publicado un artículo titulado “El ascenso de México”, y yo había hecho mi humilde contribución a este coro de optimismo con una columna del Miami Herald titulada: “México con viento a favor”. Hasta hace pocos meses, casi todos los medios internacionales habían estado publicando titulares escalofriantes sobre la violencia en México, y sobre los 60,000 muertos en la guerra contra las drogas de los últimos seis años. ¿Cómo se explica este súbito cambio en la imagen de México? Quizás México sea el nuevo niño mimado de la prensa internacional no tanto por mérito propio, sino porque Brasil, China e India están creciendo más lentamente. La economía mexicana creció 4 por ciento el año pasado, mientras que la de Brasil creció el 1 por ciento. Además, los periodistas muchas veces somos como pájaros sentados sobre un cable telefónico: una vez que uno levanta vuelo, todos levantan vuelo. En mi visita a México, encontré un escepticismo generalizado sobre el enamoramiento de la prensa internacional por México. “Después de tantos años de un crecimiento económico mediocre, sigue habiendo un sentimiento de frustración”, me dijo el encuestador Ulises Beltrán, director de la encuestadora BCG. Según la última encuesta de Beltrán, sólo el 46 por ciento de los mexicanos cree que los próximos cinco años serán mejores, comparado con el 56 por ciento a principios del 2006. La confianza de la gente ha crecido un poco desde que el presidente Enrique Peña Nieto asumió la presidencia en diciembre, pero el 66 por ciento dice que la situación económica de México es “regular” o “mala”. Durante un panel en el que participé en Ciudad de México la semana pasada, cuando le pregunté a un público de alrededor de 500 personas si eran optimistas con respecto al futuro de México, sólo la mitad de la gente levantó la mano. Y casi todos los analistas políticos reaccionan con una mezcla de cautela y humor a los pronósticos optimistas del extranjero. Comentando sobre el titular del “México: Tigre Azteca” del Financial Times, el columnista Sergio Sarmiento, del diario Reforma, escribió que “en el campo de la metáfora, no podemos olvidar que el tigre es un animal que no existe en nuestro país. Quizás por ello nunca podremos ser un tigre azteca”. Mi opinión: México no es una “nueva China” ni un “Tigre” de la economía mundial, al menos todavía no. Pero no hay duda de que hay una constelación de factores positivos que actúan a su favor, como no hemos visto en décadas. La recuperación económica de Estados Unidos ayudará a las exportaciones de México; la probable reforma inmigratoria estadounidense legalizara a millones de mexicanos que conseguirán empleos mejor pagos y enviarán miles de millones de dólares adicionales a sus familiares en México, y el alza de los salarios en China ya está haciendo que cada vez más empresas multinacionales se muden de China a México. Igualmente importante, un pacto político firmado el 2 de diciembre entre los tres principales partidos políticos de México podría materializar las muy postergadas reformas educativa, energética y de telecomunicaciones que tanto necesita el país. La aprobación, la semana pasada, de una enmienda constitucional que permitiría la evaluación de los maestros, junto con el muy publicitado arresto de la todopoderosa líder del sindicato de maestros Elba Esther Gordillo, podrían indicar que Peña Nieto está seriamente decidido a impulsar estas reformas. Pero para que “El ascenso de México” se convierta en realidad, los mexicanos tendrán que empezar a creerlo ellos mismos. Hasta hora, Peña Nieto ha hecho un buen trabajo de convencer a los extranjeros de que México está en ascenso, pero ahora tendrá que hacer lo mismo en casa, para que la autoestima de los mexicanos crezca, tal como ha ocurrido en Perú y Colombia en los últimos años. Si los mexicanos no están convencidos, “el momento de México” no durará demasiado. Read more here: http://www.elnuevoherald.com/2013/03/02/1421122_p2/mexico-esta-de-moda-salvo-…
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